lunes, 10 de marzo de 2014
miércoles, 5 de marzo de 2014
is the Majorcan home of Danish architect Jørn Utzon (who designed a little something called the Sydney Opera House, amongst other things). it was built in 1972 using traditional Majorcan building methods & local materials, and was designed to embrace the day-to-day life of his family. recently renovated and restored, it now serves as a refuge for working architects & artists. so if you’re keen to take some creative time out on the Balearic Islands you might consider applying for one of their residency programmes. via thegorgeousdaily
martes, 4 de marzo de 2014
The scattered and trans-European city that the mountainous coast of Alicante has become, houses a heterogeneous population that is drawn to the sun, the sea, the temperate climate, the convenient public services and the leafy greenery. The promise of relaxing and hedonistic experiences captivates both seasonal tourists and long-term residents who see their expectations fulfilled amongst jasmine and bougainvilleas. The project draws from this context and is designed to meet the demands of multiple families in the summertime and as a haven for retirees the rest of the year.
The house rests on terraces that were once used for farming, which resolve the steep gradient of the terrain. The plot's sloping nature means that there are some spectacular views of the sea from its upper reaches, while the lower portion looks over a wooded streambed that carries water into a pebble-strewn cove. The house takes advantage of the views and the breeze and makes the most of the uneven terrain and vegetation for the creation of small areas where activities can take place simultaneously, day and night. The existing trees were preserved and new species added in an effort to conquer the promising exuberance of local flora. The interior spaces are arranged in a cascade, with common areas on the upper floor adjoining the terraces with their views, and bedrooms on the lower floor with access to the garden and swimming pool. The detail proposed for the openings eliminates all presence of glass when they are drawn back, transforming the house into an enormous porch that provides continuity between outside and inside activities. The building uses the thermal inertia of the concrete and stone to its advantage, combining it with the lightness of the avocado green latticework and the glass tiles to create a cool and well-ventilated atmosphere. The house's geometry and mineral quality reflect the impressive Peñón de Ifach and respond to a desire for time travel, with a minimum amount of maintenance.
architech: langarita-navarro arquitectos
viernes, 28 de febrero de 2014
"I was born in Walvis Bay, Namibia – My father still lives up there so I visit him as often as i can. Between spending time with him and my younger siblings, I enjoy exploring the town I grew up in and revisiting locations I have memories of. I find the place very interesting in that many of the locations I revisit haven’t really changed much over the last 20 years, so it’s like pointing my camera into the past. A particular aspect of shooting in Walvis Bay that appeals to me, is the wide barren salt roads and their light-toned pavements. Exploring a neighbourhood, I feel able to isolate a point of interest without the clutter of foliage and cars. This visual simplicity seems to mimic the surrounding desert which very much speaks to my sensibility. Henry Wessel’s says “part of the process of photographing is being receptive. To move through the physical world and photograph everything that catches your eye” In a place like Walvisbay and Namibia, it’s difficult not to be receptive – I never stop taking pictures while I’m there, because everything seems to catch my eye."